Ghosts in the No Man’s Army: The Fit Women in Jinhwa Lee’s Potluck Colloquium

By: Josué Rodriguez, Second year Ph.D. candidate

“Get Behind the Girl He Left Behind Him: Join the Land Army” – WLA Recruitment Poster


Our second and final potluck presentation for the semester here at Comparative Literature was given by fifth year PhD candidate Jinhwa Lee, who presented an engaging draft of her dissertation chapter, entitled “Queer Crisis of WWI: Performative Supplement of the Literary.” Jinhwa took us through her readings of The Return of the Solder, a 1918 novella by Rebecca West, and the short fiction piece “Miss Ogilvy Finds Herself,” written by Radclyffe Hall in 1926 but published in 1934.



Her reading focused on the First World War’s impact on England’s national self-image, or, more specifically “the ways in which the national war project exposes a nation’s constitutive rupture in its mobilization of normative bodies.” In this context, the use of these texts as “performative supplements” mentioned in the subtitle of Jinhwa’s chapter becomes important, for she expressed a desire to look at the texts as “alternative historiographies.” As such, not only do the war strained bodies and amnesiac minds offer examples of “queer temporality,” but the way these texts are constructed offers a more ethical attitude of reading, one “that embraces the idea that queer(er) future is possible.”
In her reading, we were able to discuss the shifting expectations of a national idea of maleness that is cyclically broken and mended, only to be broken again by the constant return to the front line. An initial framing for this sense of brokenness within the nation as masculine ideal was the idea of the “No Man’s Land” as borrowed from Gilbert and Gubar.

In Jinhwa’s reading, not only were the trenches themselves a vast abyss of annihilation, but this was also “a symbol for the state, whose nihilistic machinery [the citizen] was powerless to control or protest” (Gilbert and Gubar). As a result, English women were being invited to take on occupations and places in society that were traditionally exclusive to men. In this way, “No Man’s Land” also speaks to this new, if temporary, shift in gender norms. As some recruitment slogans expressed, in wartime, “Every man is a soldier, every woman is a man.”

land army

In fact, some of these slogans from the VAD (Voluntary Aid Detachment), the WAAC (Women’s Land Army), and the WLA (Women’s Land Army) recruitment posters figured central in our ensuing discussion that night. For instance, some of us offered interpretations of one poster’s slogan, “Every fit woman can release a fit man.” While some read this “release” as women’s enabling men to join the battlefield by taking their place in civil society, others noted that the word implies a kind of giving “birth,” which would then serve as a re-integration of women’s traditional role as “mother” within this new national context even while the woman herself is physically represented as a kind of substitution for traditional maleness. Ultimately, Jinhwa’s elegant combination of sharp, critical analysis, evocative music, and memorable images served as enlivening reinforcements to an already promising project.

A Grad Student’s Guide to Zotero

By: Lidia Levkovitch, graduate student in Comparative Literature

As we progress through our academic careers, the bulk of Really Important Data we accumulate – bibliographic records, web bookmarks, downloaded articles, chapter scans, annotated PDFs of all kinds, and lecture notes – keeps growing. And growing. And growing.

And then comes graduate school.

And then our hard drive cr… but some hypothetical scenarios are better left unarticulated.

Sooner or later, (and not too late, one would hope) the need for reliable storage and for a piece of software to organize our hoarded treasure becomes obvious. Zotero ( is a tool that offers solutions to both problems. Designed with the needs of the academic community in mind, it boasts features that help researchers take full advantage of print and digital resources alike.

Zotero allows the user to collect bibliographical records and physical copies of digital resources, creating a database that can be stored on a personal computer or in Zotero’s cloud and synchronized across multiple devices, ensuring that losing a laptop no longer amounts to losing years of research. Zotero’s storage is unlimited for bibliographical data but limited for attached files. This limitation may be bypassed by paying for extra storage or by setting up one’s own file storage through another service provider (the different storage and syncing options are described in this section of Zotero’s user manual:

How Zotero works

No less important than no longer having to worry about the safety of one’s research data is being able to organize it while simultaneously pursuing several projects, possibly interrelated, but not necessarily so. The structure and the organizing principles are entirely up to the user, who can create as many folders as needed; the same item may belong to more than one project, and can be included  by reference, as a link, or as a physical copy (for example, when the same PDF has two different sets of annotations).

When importing an item, Zotero supplies some tags (usually mapping to subjects in library catalogs), but user-defined tags can be added. The tags enhance the search capabilities within the database, which, of course, can also be searched by author and title keywords. Each record can be further extended by adding notes, scanned chapters, or anything else that may seem useful. As for me, I try to write a short summary for every record I add (this makes putting together an annotated bibliography at the end of an independent study a breeze!) and to scan tables of contents for books, unless they are automatically loaded from library catalog records, which Zotero consults when it looks up an item.


Getting records into Zotero is easy: the only time one needs to type anything is when the item in question has no identifiers, such as an ISBN, DOI or PMID; given one of these, Zotero creates a record automatically. Sometimes, there is no need to even know the ISBN, since Zotero’s web browser plugin recognizes a bibliographical record when it sees it (for example, on the screen of a search engine such as WorldCat or article database like JSTOR). This way, one click is all it takes to import an item. If full text of an article is available, one can proceed to add the downloaded article itself to Zotero or to link the record to a copy of it elsewhere on the hard drive. Another task Zotero successfully automates is the creation of bibliography. It supports MLA, Chicago, and, indeed, just about any other conceivable format.

To me, Zotero is a big time-saver that is up to all of the tasks I can think of in relation to my reading, writing, and teaching projects. Still, my endorsement must come with a disclaimer: there might be tasks that I have not actually thought about, and there are certainly other tools out there. To be quite frank, I saved myself agonizing doubts over choosing a tool to support my intellectual quests by not having tried anything else. I needed something to organize my projects, and some magic for generating term paper bibliography pages, and Zotero worked perfectly. Plus, it came recommended by Professor Parker, whose taste I trust entirely!

At the very least, if you still type your bibliography, it is worth a try. After all, if you later decide that you have to switch, Zotero can export your entire library to RefWorks, Endnote, and many other formats, but this is one function I never needed to test.

Hunger Satisfied, Two Ways: Lina Qu’s Graduate Colloquium

By: Carolyn Ureña, Fourth Year Ph.D Candidate

One of our most cherished traditions at Rutgers Comp Lit is the graduate student colloquium. Held twice a semester, the evening consists of a potluck dinner to which both faculty and graduate students make culinary contributions, followed by a scholarly presentation by an advanced graduate student. Whether it consists of an excerpt from an upcoming conference paper or a dissertation chapter-in-progress, the colloquium is a much anticipated rite of passage and an opportunity to socialize with friends and faculty outside of the classroom. Given the wide range of topics studied by folks in Comp Lit, the bi-semester colloquia call us “home” from our various commitments, courses, and projects across the campus for a night that highlights the collegiality of our program.

“Hunger is a tough topic, especially when you’re hungry” – Lina Quimage

First up this semester (Spring 2015) was fourth year Ph.D. candidate Lina Qu, whose presentation “Hungry Women and Women’s Narratives of Hunger” could not have been a more fitting subject after enjoying a delicious meal together. The multicultural fare included homemade arroz con pollo, falafel, mattar paneer, roasted cauliflower, and a beautiful fruit and custard tart, among other sweet and savory additions.

The intellectual main course was Lina’s presentation in which she discussed the metaphorics of hunger in contemporary Chinese literature. Drawing on the tendency to universalize images of third world starvation in politically expedient yet problematic ways, Lina’s work offered a “historicized and gendered reading of Chinese women’s storytellings about their experiences with starvation,” thereby shifting our attention toward women’s understanding of their own subjectivity. By honing in on the representation of women’s hunger – be it for food (as in Lina’s presentation) or intimacy and self-care (as in her project at large) – Lina’s work sought to illuminate how gendered and classed conceptions of who is allowed to take on the social roles of providers or consumers ultimately serve or subvert Chinese nationalist and collectivist discourses.
Lina’s attention to the ways embodied experiences of hunger manifest in literature and film drew many interesting questions from her audience, including how we might define the boundary between need and desire, as well as the perennial question for comparative literature scholars: why literature? And why this literature? Both concerns usefully linked back to Lina’s discussion of the eroticization of female hunger, for as she reminded us, not only is the open mouth a conduit to the stomach; it also serves as a portal for stories about oneself. That women’s stories about themselves remain a threatening prospect, across cultures, was something we could all sink our teeth into.